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typography

Kessler — a bold slab-serif display typeface with diagonal crack effects, inspired by the Kessler syndrome (cascading space debris). Generated parametrically in Python using fontTools and skia-pathops, output as an installable TTF with full Latin-1 coverage. Dual-licensed: generator code under MIT, font under SIL OFL 1.1 with Reserved Font Name "Kessler".

OriginType is an open-source AI handwriting tutor that teaches print, cursive, signature development, and advanced typography through adaptive lessons, printable worksheets, and handwriting analysis from uploads or stylus input. It helps learners build control, legibility, and personal writing style, while offering a pathway from handwriting practice to designing real digital typefaces.

A monospace typeface with large inktraps.

Slides for Tanz der Vektoren: Ein Max Cadliner CD-500 in Aktion / Dancing Vectors: Reviving a MAX Cadliner CD-500

Browser-based font designer. Draw glyphs with a vector editor or a pressure brush, scan your handwriting, or import SVGs — and export to TTF, OTF, WOFF and WOFF2.

A free web collection of typographic and designer fonts.

BitsyPixels is a simple, retro-inspired pixel font with rounded edges, giving it a softer, more approachable aesthetic. This font would work well for retro-themed digital projects, pixel art, or any design where a nostalgic, pixelated look is desired.

Interlope is a script typeface. It is inspired by a lettering printed on the cover of the first issue of "Interlopes", a magazine published by the Homosexual Liberation Group of Lyon from 1977 to 1979.

Basteleur is a typeface designed with the Tarot de Marseille in mind. This led to a funny blend of medieval-ish and cooperblack-ish typeface.

A proof-of-concept musical score partifier.

A pseudo-blackletter font designed to use few pixels but still retain some flourish.

Letters is a display typeface available in regular and italic styles. Designed for experimental use, it performs best at large sizes. It derives from a historical interest in the depiction of paper within the realm of printed matter, such as teared ribbons and ornamental backgrounds. It’s a silly examination that tries to render the material quality of paper through the world of vectors, eventually finding a way back onto the paper and therefore living in the false self.

A pseudo-blackletter font designed to use as few pixels as possible but still retain flourish.

A interface to manually but easily handle line break and letter-spacing of textual elements, in the browser.

Typeface made with contributions of Sophie Buizert for the making of poster for event (un)Naming. A student-led exhibition about naming or un-naming our own interpretations of the 'anthropocene.